2.22.2011

Madvillainy



Despite the summertime hostility directed toward LeBron James, and in contradistinction to insistence otherwise, the Miami Heat have not been particularly villainous this season. Miami is disliked, probably more than any other team, but the gap between it and other elite teams is more crack than chasm. Consider Boston, which must regularly confront geographic enmity, Paul Pierce intolerance, and the burgeoning Fuck a KG movement. The Celtic haters are legion, and Boston might actually win something, so the hate means more.

To the extent that any Heat is disliked, LeBron either bears or inspires the most vitriol, however it does not feel all that cool or warranted to hate him anymore, partially because he has maintained a fairly low profile this year. James hasn't stoked the flames of fan antipathy in traditional ways. He has not feuded with beloved figures, he has not injured anyone on purpose, he has not acted like the oblivious diva that we like to say he can be during his lowest moments. (Chris Bosh is another story: fair or not, it's fun to marginalize him.) He said a few things about the union and contraction that appeared to piss off journalists more than anyone else. Were Miami a more legitimate threat to win a title this season, that looming possibility might inspire stronger feelings, but until Miami finds a Kendrick Perkins (or Boston gets hurt), the Heat will not end the year with a coronation that echoes what we saw at their introduction.

All the same, some people do cling to the narrative of a dastardly Miami, perhaps none more so than...the Heat, themselves. It's weird and somewhat dissonant. True, there have been few feel-good marketing campaigns this year featuring LeBron, Dwyane Wade, or Chris Bosh. But frankly, there has been little to say about any of them beyond the confines of traditional basketball conversations. Wade's T-Mobile ads are the most memorable contribution the Big Three have made to NBA culture so far this season, and while they satirize the tabloid news cycle and the fury that attended Heat news this summer, the ads feel played out, not poignant. For so much screaming about such a celebrated union, the anticipation appears to have exhausted most of the available oxygen.

Like most things, it's LeBron's fault. Or it might as well be. James's "What Should I Do" ad seemed to cauterize the wounds endured this summer, rather than prolonging the pain or launching a series of reprisals. It was a coda, not an introduction. Some of that effect may owe to how easily, and quickly, the ad was lampooned; critical response from media and fans robbed LeBron's defiant moment of its gravitas. Moving so swiftly to answer James, to cast his ad as either a brilliant ethering or a clueless misstep along the same ill-found path, crowded out his message and seemed to indicate general Heat fatigue. Judging the ad, regardless of direction, meant it could be processed and disposed of swiftly. People were tired, and hating requires far more energy. So Heat haters, far from vituperative and animated, quickly settled into a muted kind of loathing, and the Heat have gone about business--at times struggling but largely playing well--in the glare of celebrity, but without the elevated temperature of hatred.

Don't tell Miami, though. The Heat seem to think there's a war going on outside. Game after game, Miami is introduced to a C-Murder soundtrack:



Conspicuously missing, no matter how understandable the reasons, is the original chorus:
Fuck them other n***as cause I'm down for my n***as (What)
Fuck them other n***as cause I'm down for my n***as (What)
Fuck them other n***as, I ride for my n***as (What)
I die for my n***as/Fuck them other n***as (What)
Angry, profane, spiteful, violent, retributive, cloistered. "Down 4 My N***az" is the soundtrack to the season the Heat expected to have. Only, they aren't having it, as noted. The basketball intelligentsia made its peace with the Heat long ago. Some fans may hate the team, but enough either do not, or just do not care, to the point that James and Wade still started in the All-Star Game. Heat games on national television are broadcast with something resembling calm, the announcers seemingly happy to operate in the quiet epilogue of a story that may ultimately have been about nothing. (Or about everything--power, race, money, labor--but only in years to come.) Still, Miami soldiers on.

Night in and night out, the Heat carry this mantle of hostility out onto their home floor. For each of the three All-Stars, it conjures something different. James has been his usual, brilliant self this season. Without mind-boggling numbers which the most optimistic James fan, or the most excited champion of spite (like me!), may have expected, he has made the Heat his own. Not only does he control the ball when it matters, but Wade has played a role as LeBron's second-in-command. James's steady demeanor, toned down from the exuberance he displayed in Cleveland, bespeaks a man toiling under the weight of expectation, some of it self-imposed. But not merely chastened or quiet, LeBron also has played with an air of dignity that contradicts The Decision and probably would not seem as strong were the Cavaliers not historically terrible. As though Miami's ascension and his game's devastating impact were inadequate, the sorry plight of a Cleveland team sinking swiftly has created a new and dazzling manner by which we can calibrate LeBron's preeminence. For his part, James has spoken kindly of Cleveland and otherwise focused on the task at hand, clawing back some of the respect he surrendered in July. The C-Murder track just isn't right for James under this light; he has been serious and spoken through example, but not insolent.

For Wade, meanwhile, the lasting impression is far more somber. Generally effective but intermittently out of sorts, Dwyane has occupied the role many forecasted for James. He has been supplanted as Miami's leading player. For years, his explosive style carried with it a noble air of martyrdom. He threw himself, often quite literally, into everything, from passing lanes to collapsing big men, and his regular ability to either win or go down furiously was heroic. Dwyane Wade was a wonderful loser when he had to be, and he made long odds a part of his appeal. He has never been a great winner, though, as his referee-aided championship surely reminds even some of his fans. Now, with his athletic exploits less mythic and his place on a winning team somewhat diminished, striding out as the Heat do each home game feels insincere. The bravado and assurance of the track no longer mesh with a player who seems like a lesser version of what he once was. Perception has hurt Wade more than any Heat, and his relative reticence has only reinforced the secondary lane in which he travels. He's like Magic--the bad rapper, not the bad television personality--on this track.

For no one, though, is the illusion of a season spent fighting more disconcerting than Bosh. It doesn't even bear explanation, really. After a summer during which he was happy to subordinate his will and persona to that of the teammates he hoped to gain, the specter of this lanky studio gangster with the disorienting facial hair (he's black, it's Asian) coming at an opponent fueled by C-Murder's bile is laughable. Sorry to be so literal, but C-Murder is in prison. Chris Bosh usually seems like he only eats when LeBron allows it, and as though he would punch with the underside of his fist. Though, this does make Bosh the perfect Heat for today's analysis. The Heat are not who they thought they would have to be, and Bosh lives it.

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12.03.2010

We Can't Be Stopped

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I meant to write this yesterday, but got overwhelmed by exactly the monster I had hoped to combat. Yesterday was truly awful. Miserable, boring, sad, ugly, voyeuristic, base, and nearly resistant to any kind of fine distinction. I know that not all of Cleveland felt that way, and yes, LeBron James did that city some wrong. But the story wasn't that nuance, at least until after the game, when some fans at the game admitted they just needed that catharsis, and James showed some vulnerability on the subject of this summer. Confidently, of course, and with one gaffe that everyone jumped on. Still, he was there, acknowledging that the night did matter to him. We watched, though, hoping for the worst, or at least something that would justify this night's marquee billing. I was back and forth between TNT and Michael Vick, and granted, I kind of had to tune in. And yet that wasn't an event: it was a set of conditions that we hoped would yield one. Nearly all the possibilities were bad. It was not what I love about the NBA, or any sports. Reggie Miller was in his element, though. Good for him.

Afterward, though, we got some vintage Monta Ellis -- albeit in a loss -- and a reminder that the Steve Nash is always worth watching. I even briefly appreciated Jason Richardson. On Wednesday, Blake Griffin had one of his most profound (and shocking) games to date, pure joy that, in the Twitter I inhabit, led to nearly as much chatter as Heat-Cavs. Eric Gordon, who has quietly grown into a scoring dynamo, with more power than you think, was in the building, and Baron Davis looked like the old Baron again. Shit, even during the Heat game, LeBron's third was a reminder not of what Cleveland's missing, but the real reason he matters to us in the NBA community. No one can put together that kind of quarter, one where the court shrinks, the basket lowers, and defenders are little more than apparitions, or cones in a ball-handling drill. What's past degree of difficulty? Playing like the game could use a few more impediments.

It's ironic that James is still the league's standard-bearer for ecstatic basketball (though Griffin is getting close), since last night, and the Heat in general, have overshadowed a season that's brought more FD Good News than any in recent memory. The Class of 2003 was supposed to take over the league, and instead, the principals have confused that narrative and, at best, put their ascent in dry-dock. Carmelo Anthony, too. Amar'e in New York isn't exactly a league-changing endeavor, and Gilbert Arenas, another slightly older fellow traveler, is trying to work his way back to being worthless -- not just pitiable. These were the figures that launched FreeDarko and all of them are suffering. Except the league as we see it is healthier than ever.

Every night on the highlights, you see Russell Westbrook doing something or other outrageous (Durant's around, too). Rajon Rondo has responded to this summer's sour USA Basketball experience by ascending into the point guard ether. Chris Paul is back, and he and Deron Williams have resumed battling each other until the end of time like something or other from Norse mythology. Michael Beasley has recovered the game that made him such a beast at Kansas State, and along with Kevin Love, has made the Timberwolves the league's most thrilling exercise in futility. Gordon and Ellis are among the league leaders in scoring; Monta's Warriors are not only intriguing, but also downright functional. I long ago stopped talking bad about Steph Curry, and now I'm about to do the same for David Lee. Dorell Wright is a revelation! John Wall is averaging 18 points, 9 assists, and nearly 3 steals, and we're still waiting for him to really announce himself. The Spurs are very nearly Manu's team, which is both unlikely and intoxicating. Lamar Odom is having his best season since Miami. Have you watched Jrue Holiday? It's hard, given that team, but worth it when he shows what he's capable of. No one remembers Tim Donaghy or looks at results as a function of sportsbook betting.

There are problems in the world today. The Kings have gone purely dysfunctional, with Tyreke Evans and DeMarcus Cousins at the heart of it. Blatche is fat. Brandon Jennings stopped taking that next step we had expected. Anthony Randolph is sphinx-like as ever, even to Mike D'Antoni. And obviously, the Heat were supposed to transform basketball theory and aesthetics. For the most part, though, I am in hog fucking heaven. Why do we need to turn our eyes toward LeBron in Cleveland when, more than ever, it's a fine, fine time to simply bet on the NBA writ large. I'm bad at giving thanks and making toasts, but apparently that's only because they put me on the spot. I am so happy right now.

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10.26.2010

FreeDarko Player Rankings 2010-11 + BOOK TIME!

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Today is a momentous day, so of course I slept three hours more than I meant to. The book is out! Starting today, FreeDarko Presents: The Undisputed Guide to Pro Basketball History is available everywhere, and ready to ship from the web. Also pay a visit to our store, where we've just added the much-requested MJ "long shadow" print, and check out our Q&A on NYTimes.com (and in print last Sunday). Also, PLEASE LEAVE AMAZON REVIEWS. They help our cause tremendously.

But as much as I would love to dwell in the past -- the above photo of a 1969 Connie Hawkins basketball camp in Pittsburgh is boss -- the present is once again here! With the 2010-11 NBA season about to jump off and get all frisky in your lap, for the second time ever, we present our FD Player Power Rankings. These were last conducted in October 2006. My, how the world changes, and doesn't. Don't ask about the method, or who was involved. Just know that, based on a far-reaching survey of FD associates, you have this list to guide you.

1. Kevin Durant
2. Rajon Rondo
3. John Wall
4. Russell Westbrook
5. Amar’e Stoudemire
6. Brandon Jennings
7. Anthony Randolph
8. Carmelo Anthony
9. Kobe Bryant
10. DeMarcus Cousins
11. Josh Smith
12. LeBron James
13. Monta Ellis
14. Gerald Wallace
15. Serge Ibaka
16. Rodrigue Beaubois
17. Tyreke Evans
18. Ron Artest
19. Steve Nash
20. Gilbert Arenas
21. J.R. Smith
22. Nicolas Batum
23. Chris Paul
24. Blake Griffin
25. Lamar Odom
26. Andre Iguodala
27. Stephen Jackson
28. Pau Gasol
29. Dwyane Wade
30. Derrick Rose
31. Andray Blatche
32. Terrence Williams
33. Larry Sanders
34. JaVale McGee
35. Joakim Noah
36. Brandon Roy
37. Francisco Garcia
38. Kevin Garnett
39. Stephen Curry
40. Tyrus Thomas
41. Deron Williams
42. Jrue Holiday
43. Danny Granger
44. Trevor Ariza
45. Ersan Ilyasova
46. Thaddeus Young
47. Amir Johnson
48. Hassan Whiteside
49. J.J. Hickson
50. Paul George

Discuss. We love you!

P.S. Like many of you, I freaked out early over the new LeBron ad. Here's my multi-layered reading of it; ignore the AOL comments. However, since last night, I've wondered about the last line. To me, the genius of the ad is that it suggests that LeBron himself wasn't always sure, or at least acknowledges that after a point, this summer had become a mess that no one man could make sense of. I like my "defiantly rhetorical" description.

The last line, though, seems to chip away at that fine balance. Asking the audience "should I be what you want me to be" sets up a you/me binary, as if the only complexity came when everyone tried to tell LeBron what to do. The admission that LBJ himself found himself sucked into the pit of confusion -- that it wasn't just nasty fans and media telling him what to do -- is a far more subtle, and charitable, version of events. I guess it can still be read that way, if others try and define/own James by telling him what he should do from afar. Still, it totally removes him from the equation, and suddenly it feels like blame is being assigned. The problem becomes us, not the all-encompassing clusterfuck I describe in my post. If you go with that interpretation of the ending -- perhaps added as a hook -- the whole ad is weakened, I think.

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10.01.2010

You Will Be Slaughtered

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Words from the janitor: Read the Works today, which includes one of the best things I've written on LeBron. For those of you who asked where the feed went, try here.

Neither Eric Freeman nor myself attended any media days. That doesn’t mean, however, that we aren’t NBA writers. Or really lazy, which might explain why we didn’t go the nearest team media day with our pants on fire and our hi-tops on. As luck would have it, we discovered -- thanks to none of our older, more distinguished colleagues -- that media day is a clearinghouse for laziness, an ode to it, a gigantic, seaweed-powered factory churning out bits of storyline for the benefit of writer laziness. The point of media day is to feed story idea to the, well, the media. And why not? It saves us work; the season is long; puff pieces make the world go ‘round; and really, is there any better explanation for the photos that came out of this week’s festivities.

Taking a scant bit of initiative, Eric and I have endeavored to get the jump on our more grizzled peers, read between lines, and lay claim to the stories that land someone -- maybe the player, maybe some scruffy reporter, maybe the two holding hands in a stockcar -- on ESPN in January, or maybe even as part of an ABC halftime segment. You see visual nonsense; we see messages telegraphed straight from the public relations office, just in code, a code of symbols and expressionistic cues that only a real journalist can latch onto and suck all the blood out of, drawing sustenance and meaning from it like a lamprey stuck in a picnic basket. Put me in coach, I’m ready to play!

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As far back as he can remember, Daniel Orton had trouble in school. The day he started the third-grade, Daniel lit an apple on fire, thinking it was a pencil. All he wanted to do was give it to his teach, old, blind Ms. Abernathy, to try and make her see again. That way, maybe this year would be easier. He struggled through high school, just barely qualifying for admission into Kentucky, and it was rumored, left after one sliver of a season off the bench because he was facing ineligibility.

However, Eric Bledsoe’s bum transcripts aren’t the only academic shocker to come to light in the House of Cal’s this summer. As it turns out, Orton tested at near-genius levels on all four major standardized tests, and learned that all along, he has been the victim not of poor schools, or an undiagnosed learning issue, but poor record-keeping. Vets like Rashard Lewis, who jumped straight from high school, have taken to calling Orton “The Wiz”; this offseason, he has started aggressively pursuing a degree at UCF, with an emphasis on science, math, and his favorite topic, physics. That apple? No longer a painful memory, this unassuming fruit is now a reminder of Sir Isaac Newton, also misunderstood as a child and very nearly burned at the stake before an apple set him free. Just don’t ask his more religious teammates in on the conversation, Orton jokes. (BS)

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For the first five seasons of his career, Monta Ellis was an enigma, a talented scorer who often seemed uninterested in the rigors of defense and being his team’s leader. Now, a married man and NBA veteran, he has taken up the mantle and led his charges out of the wilderness. But few thought he would do so as the leader of a dystopic future world hell-bent on fighting off a coming alien invasion. At the bridge of his spaceship, he waits, ready to take on any extraterrestrials that look to penetrate our atmosphere. (EF)

Atlanta Hawks Media Day

As a player, Nick Van Exel was not someone you would have expected to take on a coaching role after his days on the court were over. Despite his penchant for late-game heroics, Van Exel was a bristly personality who often seemed disconnected from his teammates. With the Hawks, his methods have been far from conventional. But he has a secret weapon and conversation starter: the first pants ever to combine pleats and belt-loops. (EF)

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Don Nelson is gone; long live Don Nelson. At least, coming into camp, that was the fear for some in the Golden State Warriors organization. After all, no man is as synonymous with the francise as the one they call Nellie; his up-tempo, experimental brand of ball, and eccentric behavior, are the closest it has ever come to a league-wide brand. But as with the couple in Bergman’s Scenes from a Marriage (including the clay-mation miniseries streamed on Welsh PPV), even the most passionate, rocky, relationships must come to an end. Coming into camp, though, new head coach Keith Smart wonder, and worried, how he could get his men to work past the charismatic rush -- and some would say, the beaten-puppy trauma -- of life under Nellie. What did their insides look like? How did they understand the sport of basketball? How, from chaos, can you start to mine order?

The answer was easy: stacking. This centuries-old sport, favorted primarily by autistic kids (and Dutch people) and their weird dads, consists of piling up objects, in a set form, at a rapid pace. The demons of Don Nelson are exorcised, and youngsters like Stephen Curry learn that fast doesn’t necessarily mean chaotic, and that you can build yourself -- and your team -- back up without a return to plodding basics. Maybe it’s a sport for the wee ones, but as Curry put it, Nellie made us feel like kids in a bad way. This is the first step of the long journey home, to safety and security -- both on the court and in their minds. (BS)

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In the 1998 film Patch Adams, Robin Williams heals sick people through the power of laughter. Fighting against an impersonal health-care system that treats human beings like cogs in a money-making machine, he turns an arsenal of funny voices and a giant vat of spaghetti into the best treatment this side of the MRI machine. For years, NBA defense has been defined by a similarly cold and angry calculus. But don’t tell that to the Clippers, whose regular team-wide hug sessions have brought a new sense of togetherness and the most surprisingly effective defensive rotations in the league. (EF)

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Amar’e Stoudemire’s commitment to Jewish culture turned out to be short-lived. Once he learned what observing Shabbat actually meant and tasted gefilte fish for the first time, he realized that the world he saw in Israel was far different from that of his new home of New York City, where insecurity triumphs over strength. Yet all hope is not lost as Amar’e explores the world outside our borders. Impressed by Marion Cotillard’s performance in Inception, he attacked the world of French cinema with uncommon vigor this fall. Now, with the help of teammate Ronny Turiaf, he’s learning that French culture goes far beyond baguettes and brie. C’est la vie, indeed! (EF)

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In the offseason, most NBA player return to the place that they really call home. It may be a small town in Missippi or Vermont where they were born, or a posh suburb of Atlanta where they have settled with their families. Maybe it’s rented Gulfstream, circling the globe, with occasional stops in Asia for sneaker promotion. For Miami Heat center Zydrunas Ilguaskas, better known as Big Z, that place is the mouth of hell, where he lives in the transplanted ruins of Count Dracula’s forbidden castle. The brotherhood of basketball is an enlightened one. It’s been years since Charles Barkley called Angola’s players “spear chuckers”. That, and the grueling journey endured by many pros from the former Eastern Bloc, explains why there haven’t been nearly enough Dracula jokes in this so-called global renaissance. I say, so what? Dracula was a great movie. If they’re going to talk that way, they should be ready for some good-natured ribbing. If you can dish it out, take it. If my daughter was a vampire, like in Let Me In (great flick!), I would probably send her to those parts to get in touch with her roots. But for now, come on. Vampires are the enemy. They take our blood. Don’t they deserve a little grief?

None of this matters to Ilguaskas. He arrived in the NBA abruptly because he turned into a bat and flew over to America. His early career injuries are largely attributable to a lack of healthy teammates that he could eat. With the Cavs, he siphoned off of the nutrient-rich bloodstream of LeBron James, and it kept him upright and effective. That, as much as any desire for a ring or friendship with LBJ, is why he followed him to Miami. Back home in hell, though, none of this matters to Ilguaskas. He can’t change who he is, nor does expect his teammates, or fans, to ever understand. But he’s sick, as they say, of living in the darkness. Big Z is ready to come into the light, and set the record straight on who he his, his past, and how you balance a castle already in shambles on exact point where one dimension ends and another begins (for obvious reasons, he can’t go all the way yet). Actually, given Ilguaskas’s unique set of concerns, maybe he wants us to come into the dark with him, since he likely wouldn’t want to be caught out in the light. Good luck convincing this reporter to chase down that lead! (BS)

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On the court, fans know Steve Nash as one of the greatest distributors of his generation. He creates passing angles out of thing air with the skill of a well-trained wizard. But there’s a darker side to Nash that people rarely see. The man who seems all too willing on the court is much more selfish behind closed doors. To get a taste of his true personality, just watch him at the team’s post-game spread. And don’t look away, because that fruit plate might vanish before your eyes. (EF)

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Robin Lopez has never struck anyone as a serious guy. With his Sideshow-Bob hair and love of comic books, he sometimes resembles a rowdy sixth-grader more than an adult. But behind that goofy exterior lies the mind of a scholar who, lest we forget, opted to spend two years at Stanford rather than a more typical basketball power like UCLA or Arizona. With the help of his twin brother Brook, Robin has created one of the hottest apps on the smart phone market. The next time you’re able to access your favorite childhood cartoons to pass the time on your morning commute, thank Phoenix’s shot-blocking center. (EF)

Nets Media Day Basketball

“Us .... us .... us ... us ... us ... and them .... them ... them ... them ... them ... them/But after all, we’re all just ordinary men” -- Pink Floyd, “Dark Side of the Moon”

(BREAKING CHARACTER: How fucking dumb is it that every single post-Syd Barrett Floyd record is, on some level, about Barrett, an idealized and romanticized version of Syd that at once celebrates and laments his descent into madness and the brilliance it wreaked along the way. But those assholes kicked him out! Blech. Okay, back to reporting.)

Growing up, Devin Harris always knew he was different. He didn’t get in trouble. He got good grades. His friends on his AAU team, the Wisconsin Blasters, had cousins in jail, problems getting admitted into school, and always got stopped by the cops. Devin just didn’t get it. He loved his Packers, tried to be a good son and better boyfriend, and went to the school of his dreams. He lived with two female friends, prompting rumors that he was a pimp, queer, soft, a mama’s boy, or indecisive. Devin laughed it off easily because to him, it all seemed so distant. Above all else, though, Devin knows the value of giving back to the community.

When the Nets moved to Newark, that responsibility took on an entirely different tenor than it had when they played ... in a swamp, and ministered to alligators, rens, shopping malls, the memory of dead mobsters, and area schools with at least one black kid for the photo op. Newark, though, is a very different, a world Harris has never known. Teammate Terrence Williams compared it to Seattle’s “BD”, though he probably meant “CD”, where all the non-serial murders in Seattle occur even though, at this point, only four blocks of it aren’t gentrified. This season, Devin plans to finally cross that line, to discover that world that has seemed so close, yet so far away, throughout his charmed life as a star athlete. That is, unless he gets traded first. (BS)

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The Orlando Magic once had a depth problem. With so many highly-paid players on the roster, it was often hard for Stan Van Gundy to find enough minutes to go around. Brandon Bass and several others who came (or came back) to Orlando expecting to be a contributor to a championship contender, languished on the bench. This team needed leadership badly, and it came from an unlikely source: swingman Mickael Pietrus. A man who once seemed like a replaceable role player is now an irreplaceable part of the Magic attack. With the guidance of this Frenchman, this team is finally making beautiful music together. (EF)

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The Celtics always knew that signing Shaquille O’Neal would be a risk. With his outsized personality and need for attention, Shaq can often serve as The Big Distraction, particularly for a team that’s been all business for the past three seasons. He can contribute on the court, but it might not always be worth it. For proof, just look at the building rift between O’Neal and dimunitive guard Nate Robinson. The man who once made everyone laugh with his “Shrek and Donkey” nickname now sees his joke turf being invaded by one of the biggest pranksters in the NBA. This locker room may not be big enough for the both of them. (EF)

Pistons Media Day Basketball

By now, you know Ben Wallace’s story. How he grew up on a tiny farm in an impoverished Southern state, where he passed him time building his muscles. He smashed things for work and play, and sometimes just to pass the time. He broke up old furniture for firewood, then smashed an old barn so his ten siblings could build a new living room set. The stories spread far and wide of the kid from the dirt road, whose mailbox came and went with the hounds, and his astounding muscle. When he first met Charles Oakley, it was because Oakley -- no stranger to big arms and outlandish boasts -- wanted to challenge this backwoods phenom to a lumberjack contest. He took one look at Wallace, sledgehammer in hand, and politely changed his tune. Oakley offered, instead, to make Ben into an NBA player.

It worked, but only because Ben kept hammering. He’s been hammering ever since. And now, as his career enters its twilight phase, Wallace is going back to his roots, the way we become more and more like babies as we age (no Benjamin Button), or start going to church the day we learn we’re going to die. Sheed had the championship belt, the perfect summation of what pro sports had made him, and vice-versa. Wallace, hanging on till the end like ol’ John Henry battling that steam machine, is bringing back the hammer like never before. Sometimes, you’ll see it in the locker room. Sometimes, by the bench. It’s not if Big Ben has a hammer, but when. Let’s just hope Ron Artest isn’t in the building. (BS)

miami-heat

The Heat’s Big Three earned their fair share of criticism this summer for the way they came together in Miami. Beyond that arrogance, though, was a need to be loved verging on the pathological. With that in mind, they’ve made a concerted effort to reach out to the community and show they know how to take a little criticism. That’s why they held the league’s first team roast last night, where everyone from superfan Jimmy Buffett to teammate Carlos Arroyo got their digs in at Miami’s most popular trio. Don’t miss the broadcast on ESPN next Sunday, because Mario Chalmers does a Chris Bosh impression that you have to see to believe. (EF)

dirk-nowitzki

Once upon a time, the Mavericks had amenities unrivaled by any other team in the NBA. Of course, that was before Mark Cuban lost all his money by giving it away on poorly conceived reality shows. These days, the scene in Dallas is quite grim. The franchise’s army of trainers has now been whittled down to one guy with a bottle of Tylenol and some tape. Personal DVD players have been replaced by a communal TV with no cable and a few bootleg Entourage DVDs. And the team’s personal chef? Well, Dirk Nowitzki tries to make spaetzle, but it just comes out as a doughy mush. (EF)

(NF note: I thought this was Dirk at an all-white party with a bottle of Hypno until I zoomed in. What a story that would have made!)

APTOPIX Bulls Media Day Basketball

You might think that Carlos Boozer -- born and raised in Alaska, then sent to preppy Duke to ball -- would lean to the right politically. He went to play in Utah, after all. However, now that he’s in the free and open environs of Chicago, we’re getting to see real Carlos Boozer, a arch political satirist who, in one image, shrewdly suggests the cultural intersection of the Tea Party and the Village People. Who better to tackle these topics than Alaska’s fifth-most famous public figure, and a power forward often accused of being “soft”? TROPES FOR DAYS. (BS)

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Mike Dunleavy has been ridiculed for many things, among them, looking like he was twelve. That’s why, for the last few months, he has been living in a strange, reverse-biodome, that sucks the life out of its victim and causes him to age faster than usual, at least on a superficial level. Hence the new set of wrinkles, which give him some gravitas in a way that muscles never did, and a look of perpetual horror that no longer suggests an unspoilt childhood growing up with an NBA journeyman. You can judge a black vet by his tats. For the white race, all they have is the stories their faces tell. (BS)

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BREAKING: Anthony Randolph straddles scorer’s table to down a box of NERDS between interviews. What flavor? (BS)

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7.28.2010

Two the Gull Way

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Sometimes, you get an email so pure in its intentions, so rippling with information and connections, that you can basically steal it and make a post from it. So thank you, longtime reader Ian Ross, for bringing the following facts to my attention.

-Apologies if I'm late on this -- I kind of got sick of reading every single thing every single person in every single city touched wrote about LeBron -- but David Hyde column from the Sun-Sentinel, dated 7/11, has some real stunners in it. At least for someone who recently finished working on a book about NBA history. It's about not the evil players fooling the fire department, but Riley's persuasive powers. Central to all of this is his use of the Russell/Auerbach Celtics as a rhetorical device, even point of inspiration. The key passage:

"The Celtics won 11 titles in 13 years,'' he said. "That's the one dynasty."

Riley began throwing out names centering around Bill Russell on those Celtics teams like Bob Cousy and Jungle Jim Loscutoff. Sam Jones. K.C. Jones. Tom Heinsohn.

But the one name he left off, the one that began as coach and ended as team architect, is the one Riley's team and personal legacy chase now. So among the questions percolating around the Heat now, add this one: Will Riley go down as the Red Auerbach of the YouTube generation?


I left that last part on just because it sucks and isn't accurate, and shows how much this column buries its own quirky, if not brilliant, lede. Or, to be more exact, Riley's. I've written much about de-Jordan-ing Bron, which as Ian Thomsen has said, might be for the best for the league and its paradigm factory; many folks have pointed out that great teams all were deep as fuck. But no player has been as single-mindedly deconstructed in the name of winning as Russell, and no pox of talent more sublimated than the Celtics dynasty. Also, the Jungle Jim reference is so weird we should remember it forever. Paul Flannery told me this morning that his name -- just his name -- is retired, because someone more important (don't have time to cross-check, sorry) wore the same number.

No one's ever accused Bron of being a Kobe-like history buff, which is why it's so funny that Riley would mention Loscutoff, an enforcer who clearly didn't give up greener individual pastures by playing for team in Boston. But the genius of Auerbach's teams was that they were stacked to the point of congestion. And yet everyone put ego aside. It's the most extreme case of this ever, and from a bygone era. I want to know, though, why it would be totally invalid here -- and if we would mock James for wanting to be Russell to Wade's Sam Jones and Bosh's Heinsohn (that one needs work).

Okay, from same dude:

In the More Than a Game documentary, exactly 18 minutes in, Sian Cotton is talking about the decision to go to St Vincent's over Buchtel, and goes, "The African-American community had wanted us to bring our talents to Buchtel, and felt like we were traitors."

Also unnoticed (as far as I've seen) is the fact that the chapter in
Shooting Stars where he and his friends decided to go to St. Vincent's is called "The Decision."

This really leaves you puzzled, doesn't it? The much-maligned "take my talents to" could be either a local, or hyper-local, or among-friends, idiom ... yet it's been picked apart like a political speech (whether or not LeBron should have been more careful, anticipating that reception, is another question). At the same time, that move and the title of the chapter suggest that hey, James has done this before. What was it about then? Camaraderie? Opportunism? I don't know. I'll go with "some of each", and make it the subtitle to my forthcoming LeBron James stop-time claymation epic.

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7.18.2010

There Is No Scrap Impartial

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Don't miss the Morning News roundtable on sports and writing, with Pasha Malla, Will Leitch, Katie Baker, Chad Harbach, Nic Brown, and me.

I think we finally have our Psychological Man. His name, much to my utter surprise and possible chagrin, is DeMarcus Cousins.

As long as this site's been live, we've harped on player psychology. Not "what is a point guard thinking in the clutch", but as best we can, tried to determine what makes these dudes tick. Especially when, as it so very not the case in other sports, uniform execution simply won't do, and the decisions players make—their respective styles, if you will—can't help but reveal something about them as people. It may be only a thin breach here and there, through which little light is admitted, or gaping blast of individuality, but either way there's humanity in them there ball players.

Somewhere out there, a unified theory of FreeDarko presents itself in the heavens. For now, I'd go so far as to say that style and personality are the strong and weak force of our NBA cosmology, which is why no amount of boring-ass critiques will make me lose interest in Kobe Bryant. It's also why Gilbert Arenas was for so very long our patron saint. His entire public existence depended on either riding or struggling against that interpretive undercurrent "quirk". With the locker room incident and FINGER GUNZ, it went so far as to suggest that, in fact, he had been (figuratively, duh) swept out to sea. At some point, the joke ceases to be on the rest of the world, and out-there behavior becomes either sad or self-destructive.

That's also what happened with Michael Beasley, whatever happened with Beasley. He entered the draft speaking with uncommon candor—which in retrospect, turned out to be a "don't let me do this" cry for someone to keep him in school. At the time, though, it really seemed as if teams were being forced to confront the possibility that players could be weird, and yet still thrive. Arenas was a high-wire act, someone who played up his shtick for commercial gains and then found himself seemingly fall victim to his own act. Beasley entered the league not playing pranks and committing absurd gestures, but simply refusing to make sense. Again, at the moment it's hard to say he was taking a stand for anything but his own immaturity. And I mean that in the most light, sympathetic way possible.

All of which brings us to DeMarcus Cousins. You all know the story by now. Cousins was, all the way back to his high school days, branded "a problem". He didn't have Arenas's charm or Beasley's enigmatic qualities. DeMarcus Cousins had, as they say, an attitude. He was not a high-character guy. Supposedly, he fought with coaches, loafed, and wouldn't stay in shape. Whatever had happened at Kentucky, where he proved so dominant that John Wall was often relegated to a supporting role, was fool's gold compared to the monster he would become as a pro. It didn't help that, in many ways, the most apt comparisons the pros offered were Zach Randolph, Eddy Curry, and reaching back a ways, Derrick Coleman (that one more than ever after Vegas, but I'm getting ahead here).

I was staunchly anti-Cousins, though mostly owing to the fact that I thought his college career was a mirage and his height not what it turned out to be. When the whole thing got all weird and paternalistic, I realized which side justice smiled upon. Cousins was trapped in a strange rhetorical bind best described as "worst available". He was the bad seed of the draft, the high-risk, high-reward guy who got all the ink, and of course. Not every draft class is so lucky as to have one. But once anyone can be stuck in the "bad kid" or "problem" category, they will catch hell up until they prove otherwise.

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Beasley, incidentally, saw his stock of evil rise (fall?) as the draft approach. Draw your own cause and effect conclusions here, but Cousins loomed larger and larger as a talent and became more and more of a potential thug creature. Don't blame FreeDarko; we dispatched Joey Litman to meet Cousins and observe him acting like the kid he was. Beasley had said "I'm a kid", but for him that opened the door out onto all sorts of weirdness. Cousins really just came off as sweet, likable, and hardly the kind of ass who would warrant such premature nay-saying.

Fast forward to the Vegas league, where Cousins's debut was awaited almost as eagerly as Wall's. When he proved even more of a force (granted, Wall had very little to prove), and flashed skills and awareness that had once been mere fluff in the mouths of his biggest supporters, Cousins instantly became the second-biggest star among the rookies. That attitude we heard so much about? Damn right it's there. But it's fire, intensity, and the desire to flat-out destroy his opponent, especially other big men. It's exactly what so many other bigs are lacking, and why they end up a very different kind of bust. Cousins rages because he cares. It's that simple. To say that his personality can be rough or stubborn at times is to say that he's a gamer. Attitude on the court, if it's this kind of edge and determination, is the exact opposite of what off-court attitude will sow.

And it's not like Cousins is lacking in self-awareness, something we can debate all day about Arenas or Beasley. The Timberwolves, of course, tried to throw him off by antagonizing and harassing him, expecting him to crack and show the lunatic no one wanted to draft (including them). Except as soon as Cousins caught on, he disengaged himself and opened scoffed at the tactic. Does this sound like a wayward brat to you?

All of which brings us back to psychology. Cousins did, indeed, possess many of qualities NBA scouts feared in him. Except he possessed them in a way that manifested itself primarily on the court, where they were a decidedly good thing. Differentiating between on and off-court personality, as well as mapping out their intersection, has never been more important than now. What's more, the "good kid"/"problem" binary has revealed itself to be, if not a farce, at least utterly simplistic, the kind of clap-trap that no journalist—much less a scout—should bother to hang his hat on.

Cousins might seem to call into question whatever it is that Arenas and Beasley represented. On the contrary, in his contradictions, he make more urgent than ever the need to develop a more psychologically sophisticated approach to assessing prospects. Arenas asserted the right to be kooky, unpredictable, and obsessive; Beasley, incoherent, compelling and loud. That was a fair description of each at their best, and if their stories ended today, each would serve as a cautionary tale against this kind of player. Cousins, though, makes the case for the development of something new, something that might actually better equip a team for an Arenas or Beasley—that is, anyone other than an outright bust.

Earlier today, Ziller wrote about Rashad McCants. McCants, it seems, was Cousins before Cousins, and had the bad luck to not be born very tall. No one has yet been able to tell me exactly what it is that makes McCants so horrible and unemployable. Maybe he's not the best defender, and there have been some confounding incidents with scheduling and contracts (like TZ's post today). But McCants himself believes he had been blacklisted, and I'm inclined to believe he's not far off. McCants deserves a chance to succeed based on his abilities, not some shit-poor conception of what makes for good and bad soldiers in a mechanized world that never really existed in the first place.

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7.16.2010

A Grade-School Terror



This was only a matter of time: the Game has already committed to wax what is likely the first of many forthcoming Miami Heat references. There could not have been a more perfect musical lab rat. This was obvious, really.

Game's fondness for the NBA knows no limits. (Listen to these, too. At your own peril.) Neither do his self-consciousness, nor his looming presence as an inexplicable outsider. There is something strange about a guy on a major label whose career was anointed by a trinity of rap folks who couldn't get more mainstream--Dr. Dre, Eminem, and 50 Cent--constantly moping around on the periphery as though he were left behind. (Left behind! Holy trinity! FD is evangelical!) He loves being a victim--of circumstance, of politics, of street life. Yet, he also loves being so brash and boastful that the sad-sack routine clashes with the lyrical bravado. Game is the ultimate establishment villain in that regard. Given the opprobrium that has poured forth for LeBron since he left Cleveland, there is a fitting, albeit temporary, alliance to be found among these two.

In a more general sense, Game's latest is also an appropriate theme song for a team that now will be the most hated in Cleveland, New York, Chicago, and many other places. Miami, suddenly entrenched as the NBA's signature glamor team, also has become a public enemy. Looking past the potential for beautiful basketball that could literally transform the sport, many fans will lash out at the conquering monolith with fear and envy. The Heat will take on the role of outsiders, then, raiding and pillaging rather than merely ruling. And that, we can only imagine, will inspire many more Game verses. Or maybe a face tattoo. Or something.



"I keep three heats on me
45, Glock, and the gage
LeBron James, Chris Bosh, and D Wade
Any n***a try to stunt, get sprayed
What happened to the body?
N***a M.I.A."

This is victory music. Coming at the end of the fourth quarter to an arena near you!

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7.15.2010

Things Go Nowhere

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I finally say something about LeBron&Gilbert&Rhoden&Jesse&you. Or the Heat as uprising and upheaval, louder than I had before. Wasn't writing because others had already nailed it, but there were so many people out there missing the point, I figured the reinforcements couldn't hurt.

IT'S NOT ABOUT A SALARY

Favorite reactions so far: @bmicheal recommending Marxist Kojeve (whom I don't know)as a better point of reference than Hegel himself. And a FanHouse commenter asking, simply "what the hell are you talking about?"

Oh, and very trivial, but if this Boston thing is going to happen it will probably be the last week in the month. I have no idea how to successfully organize something like this.

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7.12.2010

I Can't Share Ranks

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I've been around the world. I did some writing on soccer and America. You would do better to read this Sport is a TV Show post, or Brian's dissection of Spain's aesthetics. As far as LeBron is concerned, today I offered up a plea for sanity based on The LeBrons, Friday I predicted the toast of doom at Melo's wedding.

There are, however, some decidedly FD matters to tend to. First, off of Brian's "Ballet of Frost" post linked above: I very much enjoyed watching Spain throughout the World Cup. As I told Eric several times, they made me feel like I actually understood something about soccer. Many people compared the midfielders, especially Xavi, to Nash. And it's true—we've often discussed on here the ways in which Nash creates new passing lanes. To me, that's what the endless movement of Spain looked like: Manipulating position until an unfamiliar path to the goal revealed itself. I don't care if it's wrong, it's how I saw it. What got to me, though, was how little playfulness there seemed to be in what was, in its most basic and post-structural sense, play. I tweeted that it was the most earnest trickery I'd ever seen. Today, chatting with Trey, I called it Nash with no sense of fun; he came back with "Chris Paul if he weren't a dick".

I may still be a soccer beginner, but style is universal, because it is a product, and mirror for, the human spirit. I think what made Brian's piece resonate with me was that, while I don't find Spain at all boring, there is something inhuman about them that's always on the wrong side of human. They aren't steely or clinical; it's a game that wants badly to express itself, to be art not math, and yet it's fundamentally either too fulsome or too cautious to take that plunge.

Back to reality: I watched John Wall's debut, eagerly, and was perfectly satisfied with what I saw. Yes, there were a few really bad turnovers (what happened to the handle?), and no, the jumper hasn't emerged overnight. But mostly, this looked like Wall, at some vague semblance of the next level. He got his teammates involved, and pretty quickly established that he and JaVale McGee could become Paul-Chandler Redux. Throw Blatche in there and I have no idea how you express it as a word-equation. Blah blah blah not so much quicker than everyone else wide-open game agrees with him gets to the line college obviously stifled him. The real key, though, is that Wall didn't need to make a statement. No one doubts him. And as a pure point, you've got to figure that he was more interested in making others look good—especially when they need it so much more than he does.

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The lottery picks who make headlines in summer leagues are usually those with something to prove. I'm thinking specifically of Tyreke Evans, when no one understood what position he played, or why he mattered more than Rubio. Anthony Rudolph had 40 when his legend started to build. Of course, there's also Julian Wright or Qyntel Woods going off, but turning in the other direction, does anyone think for a second that LeBron James couldn't have dominated summer league if he wanted to? Some rookies can afford to take slow, get a feel for this sort-of-pro context as a warm-up for the NBA, and, as Wall did, realize it means more to the second-rounders and free agents than to them. The big men who get 647573 fouls? It's them getting their bearings. All lottery picks should be able to use the summer league like this. But alas, sometimes they end up in the same boat as D-League-bound aspirants.

POSITIONAL REVOLUTION: I forgot who on ESPN kept saying "great players figure out how to play together". I think it was Tim Legler, who also said (I think) that Wade and James had the same kind of game. But, at the risk of embracing pure emptiness, this Miami Heat is super-major with regard to one of this site's core tenets. Actually, fuck it, these three DO know how to play together, like they did in the Olympics when they conquered the known universe. And that was with Kobe Bryant in tow, who—with all due respect to the God—makes this line-up more difficult to pull-off, since he's less versatile than James or Wade.

I have lately become enamored of the idea that James is a reluctant mega-scorer. Not a bitch who doesn't live for late game situations, or whatever the latest attack meme is, but a multi-dimensional beast who can do so much more with the floor than simply barrel inside or hoist jumpers. Given how much success he has with those two tools, the possibilities are mind-blowing. Once upon a time, James was likened to Magic Johnson. Put LBJ at point forward, truly playing on or off the ball, at either end of the pick and roll. There's no reason he can be the most ferocious inside-outside/outside-inside threat the league has ever seen. A quitter because he's with two other All-Stars? Fine, whatever. I'll take James unleashed as superstructure, with Wade alternating between the two guard slots, and Bosh taking advantage of his ranginess as a big man (the Gasol comparison). I know I said that this team was the anti-Thunder, but if they go this direction, they'll be light years ahead of Durant and company.

I refuse to comment on the new Raptors or Suns any further until there's a good chart for me to consult.

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4.17.2010

String Those Nerves Together Now

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In olden days, I would have said "read what I wrote over there but this is the real", and then poured out my innards. But the problem with FanHouse is that they want me doing whatever. Have you read the previews Ziller and I did? I really couldn't make any less sense if I wanted to. So read them. Thus, as the playoff monster begins to stir, I find myself on my own doormat, faced with the possibility that what's on FD might be more straightforward than my "real" gig. Strange times we inhabit. However, I wanted to tend to these lands, dry and shriveled as they have become. So here's my very sober, useful rundown of Things That Persuade Me in This Postseason.

1. The Thunder--Really, can there be any doubt? Forget for a second that Durant is, if not LeBron's narrative, mystical equal, maybe even greater for not being equipped with a superpower's physique. He looks like I figure Young Ezekiel did, and also deserves some sort of otherworldly, possibly Martian, nickname. LeBron is, pardson the pun, all embronzed. Durant is exotic metals; there's a reason why, at one point, there was an Avatar comparison for him in a part of the new book. I think we finally decided it was at once too true and too silly to comprehend.

But the Thunder as a whole represent so much we've been in favor of while—and here's the kicker—without seeming like a leap of faith. Serge Ibaka is not a test. Russell Westbrook is not a test. The Hawks when they dared face Boston were exhilarating, but living on the edge can sometimes leave you feeling tawdry. No one thinks OKC beat LA, but good luck finding a single serious basketball fan who expects a sweep with zero intrigue.

2. Brandon Jennings--Tyreke Evans is a major stylist, and I still don't think people are letting that all-around game of his sink in. I've made my peace with Curry. But Jennings is the only one left standing, and while the Bucks are taking two games---no more, no less--tell me you aren't excited to see Jennings try his hand at the playoffs. No Bogut hurts the team's case, and Jennings' absolute value, and yet if the Bucks are going down anyway, why not do so with something resembling a Brandon Jennings showcase? I'm not talking about no 55; that's probably what led to his abrupt drop off the ROY map (and Curry's rise).

Let's just see Jennings carry himself like he belongs there, run his team, and demonstrate the game that makes him a clear-cut building block at the one. At the beginning of the season, the AI comparisons were pure bunk to me. I loved Jennings best when he slithered around the half-court looking to make a play. He can either jack up shots here in desperation or dig in and try to animate the bunch. One good thing about Skiles: He will be, umm, gently pushing for number two.

3. Dwyane Wade-- No one told me, I didn't notice, and frankly (stats aside), it didn't show all the time. But Wade was still pretty out-of-this-world in the 2009-10. Thus, I am looking forward for Wade to really blow it all out. That Round One is against Boston, the perfect team to fly headlong into and hope for collapse (or a revved-up guitar soundtrack) (is it so wrong that I once found a LeBron mix soundtracked with Iron Maiden?).

Despite what I've been writing at FanHouse, I don't quite get how players are thinking of these playoffs in terms of this summer. No one needs to be convinced that Wade can prevail, at least game-to-game. Still, 2010 is more than a rat race, it's a pecking order, with LeBron's 2010-ness having become some measure of his absolute power over the league. Not that Wade can nibble away at that, but riding high as the Free Agency babble begins is very much the new pecking order around the league. Like standings or balloting ever matter; there all we ever hear about is the winner. Not so with 2010. The whole world is watching and Wade is certainly looking to gain a little on LeBron. The question, though: What happens to this hierarchy once 2010 is over?



4. Bobcats WTF--I really, really need some help on this one. It's almost like when you go to a mental hospital in the fifties (okay, I'm imagining Shutter Island), and everyone's sweeping floors and playing Risk!, and then all of a sudden there's a disturbance and things really jump off. Is Larry Brown the warden? Wait, how is he not—I'm sorry to repeat myself so often on this count—the Bad News Bears coach? (Billy Bob version, motherfuckers . . . if I go down that path, I go down it all alone.)

Stephen Jackson, Gerald Wallace, Tyrus Thomas, Boris Diaw, Tyson Chandler, even Raymond Felton . . . it's like karmic revenge for the Believe! Warriors. If you let me coach this team I would discover Atlantis and burn down a subway. But no one's even suggesting that this team is scrappy, or violent, or even miscreants floating out on a boat somewhere (love that movie Strange Cargo!). For God's sake, didn't Stephen Jackson decree himself a pirate at some point?

5. Please let the Derrick Rose backlash begin now. Please bring back that psychedelic karaoke Luol Deng.

6. In the immortal words of J.E. Skeets, WHAT DO YOU THINK!??!!?!??!?

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12.01.2009

We Need to Dance

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After the Miami Heat intro vids and The Penguin Guide to Jazz Recordings: Ninth Edition.

**** Dwyane Wade, Number Three Guard. Highly unexpected set from an alto player best known for his pitch-perfect standards and ballads. Here, Wade stretches out in various spare trio settings. With piano and drums, he sets up dense thickets of squelches and squeals; piano and bass bring out his deliberate, elegiac side like never before; in the more conventional sax/bass/drums format, Wade tears through angular post-bop originals like a man pushing his creative capacity to the point of exhaustion, even collapse.

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*** Udonis Haslem, Forty Forward. Haslem had always been a sturdy pianist in the Bobby Timmons vein, but when got the chance to record for Blue Note, he took advantage of the extra rehearsal time and created something far more ambitious. Sticking to the standard soul jazz trio, and finding himself constantly returning to its cliches, Haslem nevertheless aims high with these forty short pieces about his conversion to Islam and travels in the Middle East. Engimatic bassist Babar, making his only appearance on record here, is the only one whose solos consistently realize this exalted mood.

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***1/2 Mario Chalmers, C-H-A-L-M-E-R-S. There were plenty of other trumpeters around New York with the same slashing tone, technical facility, and knack for heady skeins of harmonic sophistication. Sons of Miles and Dizzy alike, they were a dime a dozen, each more impressive than the next and thus somehow bringing the whole bunch down. What makes Marion Chalmers's debut so remarkable is that not only does he capture a moment, he transcends it due in no small part due to the fast company he keeps.

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***** Michael Beasley, Forward. Beasley was a prodigy in the truest, and most unfortunate, sense. He was barely in his twenties when this masterpiece was recorded, and already had several standards to his name. Forward was unlike any other jazz being made at the time, and it remains elusive to this day. Employing a crude form of multi-tracking, unorthodox combinations like flugelhorn, banjo, and bagpipes, and sometimes changing instruments mid-improvisation, it's nevertheless Beasley's raw, vibrant piano that steals the show.

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**1/2 Carlos Arroyo, Number Eight. Blue Note rarely attempted to cash in on trends, but one of its few truly venal records is also one of the strangest. Arroyo was a largely forgettable salsa pianist with progressive tendencies. Cutting Latin versions of the music from the then-obscure British television series The Prisoner falls somewhere between crass opportunism and off-beat pop culture plundering. Arroyo is all over the place, sometimes solemn, oftentimes festive, as if he were at once trying to take the material too seriously and reject its source. A curiosity worth hearing.

*** Quentin Richardson, Five. An oddly iconic title for such a workmanlike set. Richardson's trombone can be heard on a slew of other recordings from this period, ranging from proto-funk to cerebral cool. He's the sort of player, and writer, whose solos and compositions typically include at least one passage of utter ingenuity and another that borders on pap. Five is his only solo effort. While far from the archetypal quintet outting, it's nevertheless admirable from start to finish.

** Daequan Cook, Number Fourteen Guard. Cook was a sporadic, slapdash drummer best known for his hi-hat flourishes and otherwise low-key timekeeping. This is the kind of record that should discourage drummers from ever thinking they can take the lead in the studio, even if the label's put them up to it.

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8.24.2009

Bend String on Zither

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It is with great weariness that I begin this post on Michael Beasley and his rehab situation. I feel like I already pushed forth the envelope of flippancy in my Baseline post on the matter (damn, that works well in a self-referential sense). Maybe too far if it turns out that Beasley gobbling down pills or fall-down drunk all the time.

But when we posted that tattoo twit on Friday, the bags didn't even cross our mind. Maybe we're content to call a bag a bag; maybe we just were't super-scanning the background for too-thrilling data on what a 20 year-old millionaire does in an empty hotel; maybe we know that Beasley probably smokes and plays video games in all his spare time, but just didn't care. Whatever our over-liberal reasoning, the next morning it turned out we'd missed out on a MONSTER SCOOP: Michael Beasley photographed himself with pot-a-phenalia. What a moron.

What became difficult to discern in the flurry of typing that followed was whether Beasley was 1) in the wrong for smoking 2) was dumb for getting caught 3) needed to avoid all perception of smoking, since he had in the past 4) needed to cover his ass better. I was briefly working on a column that tried to link Beasley to Bolt, explaining how skepticism and suspicion was ruining sports, or at least our consumption of it. Or at least making blogs into speculative, uninformed, worthless tabloids that did little more than all squint at the same blurry image, or process the same publicly available circumstance, before giving voice to the "fan in the streets" or "what the mainstream's afraid to say." An unfortunate blurring of function, if you ask me.

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Back to the Beasley at hand. Before the window into his soul—I mean, the Twitter account—hit the deck, Beasley threw out a couple of twits that were equal parts morbid, goofy (if you're threatening to take your own life, please limit the number of exclamation points), off-hand, paranoid, impulsive, and, sorry, but culturally specific. Among the many great contributions Tupac made to the world was the trope of imminent doom, brought about by fame, fortune, public scrutiny, and doing shit to piss people off. I admit that Beasley's twits were erratic, but they also fit readily under this rubric. So there might a matter of cross-cultural mis-communication here.

But hey, today, Beasley's checked into rehab, John Lucas is running the show, and we'll see those "possible substance and psychological issues" scrubbed right out of him! Excuse me if I'm not inclined to take this 100% seriously, especially as Yahoo! also reports that it was Riley who made Beasley 'fess up to his involvement in Rookie Transition-gate well after the fact. Beasley is weird dude, one whose personality makes him a fascinating and frustrating public entity. I can only imagine how it is for a team that's invest millions in him. The same goes for this lingering weed association. Why not attach "troubled" to his name once and for all, throw into rehab, make a show of it, and trot him out for 2009-10 with a firm sense of how he's supposed to conduct himself as a pro?

Except that's not what rehab's about. And "troubled" shouldn't simply mean "wacky" or even "pot smokin'." This might be a stigma that haunts Beasley for life, all in the name of public presentation couched in the language of "possible substance and psychological issues." That's the matter-of-fact take on it. There's also the rather ghastly thought that Beasley's being poked and prodded in hopes of uncovering some explanation for his behavior, reprogramming him rather than looking to subject him to the ultimate disciplinary sham/PR cover-up. Michael Beasley is young and foolish, but there's no reason to presume he's got loose screws just because he's poorly-behaved and off-kilter. You can tack various degrees of sinister, or ruthlessly capitalistic, to that.

2

All this goes on the assumption that 1) Beasley is not indeed insane, since anyone who observed him in college can see he's toned himself down even under the greater stress posed by the pros 2) it's only pot, since a coked-out Beasley would be even more of a nightmare, and a Vin Baker-drunk Beasley would probably have gone to sleep in a giant ditch of his own digging by now (I mean that literally, not figuratively). If, however, this is intended to get Beasley help in earnest, the strategy seems awfully sloppy. Sorry, no pothead demands immediate detox. If the loopiness points to anything deeper, wouldn't it make more sense to first just have him talk to a doctor? Oh, I forgot: Whenever a famous person is unwell, or might be, your spirit them away to rehab so the world can't watch, and they can be spared the humiliation of being picked apart any further in public.

Unless I am totally wrong, and Beasley's been shooting speedballs before every game, this a ton of wasted resources, breath, and bed space for a kid whose long-term mental health—whatever its current state—would probably benefit from a vacation and some trips to a psychologist. But rehab sends a message to the world, and to Beasley. Like jail. Never mind that, if someone sick wants to get well, he needs to do so of his own accord. Threatening and intimidating Beasley onto the straight and narrow by making him hear about men who lose everything and spend their mornings looking a vein. . . it's an insult to Beasley, those addicts, and anyone who ends up working on his "case."

Normal people have to undergo some kind of in-house screening before entering a rehab facility. That Beasley got green-lighted immediately, when his situation would seem to demand at least some preliminary treatment before getting recommended for these places. Maybe I'm out of touch with the treatment of addiction, or the best way to deal with a recreational drug user whose behavioral issues only matter because he's a gigantic business asset. It's just hard for me to read this stuff and not laugh at the whole thing, while feeling a little bad for Beasley—who might have missed out on a chance for an appropriate, not nuclear-level, intervention.

CB007273

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5.02.2009

He Was Born in Hell



Everyone I talk to is worried about a anti-climactic contest tonight. Of course, after Thursday, Lazarus making hot chocolate at halftime would be an anti-climax. But even if all we get in a few hours is epilogue, and even if that epilogue is the (expected) Boston win, the convoluted history of this series tells tells us that there's no way it won't be eventful.

Before we all get completely consumed by pre-game hysteria, I wanted to briefly touch on the weird, weird Josh Smith scandal. Smith goes for the showtime dunk, on the break, during a blowout, and fails. He's lambasted for trying to show up or disrespect the Heat, personally apologizes to Coach Spoelstra (who publicly made many of these accusations) and explains that it was just to thank the fans. Confused? You also have Smith saying he'd do it again, and basically agreeing with Jalen Rose's analysis that the problem was the miss, not the attempt itself. Which is to say, he embarassed himself—had he made it, Smith would've had the whole world entranced. The Heat would've come off as petty whiners, or at very least, the dunk would've been so awesome as to insulate itself against criticism.

All this presumes that Smith needs to apologize for wanting to humilate the Heat, or that an insane dunk is purely self-indulgent. Last I checked, intimidation and making statements were really important in basketball, especially in the playoffs. Why, then, is Smith all of a sudden in "unsportsman-like" territory for trying to use a dunk to do just that? It was gratuitous when the Celtics ran up the score, and put on a show, to cap off last year's Finals victory, because in that case the series was over. But this one is still very much alive. Breakaway dunks can be momentum-changers in a game; why not think of this in the context of the series? While games have throat-slash moments, these events can pile up and carry over to the next one, too. The Heat had every right to take Smith's attempted dunk personally, and use it as motivation. That's because he was trying to punk them, put them in their place. That's about basketball, pride, and ego; there's absolutely no need for the finger-wagging and commenters dissecting the ethics of the situation.

It all comes back to this idea of there being "good" and "bad" forms of intimidation, or rather, "acceptable" and "tacky." Tough defense and physical play can throw off an opponent. As can talking. Or throwing down in traffic. Those are fair game in the pressure-cooker of the playoffs. But if Josh Smith goes for the showpiece dunk, it's him, not the Heat, who have some explaining to do? Isn't a long three in transition always outrageous and uncalled for? If I had a penny for every time someone old insisted that teams need to send a message with their defense, I'd be crushed to death. Why then, can't Josh Smith try and say to the Heat "fuck you, I can do whaetver I want against you." Isn't that his whole game? It's up to the other team to keep his one-man momentum bomb under wraps; as one of the studio guys observed in the pre-game last night, Miami immediately let Johnson get away with an uncontested dunk. Are there rules and regulations about when you're allowed to intimidate . . . or does that only apply to individual acts of offense? Because clearly, no one makes a fuss if a team lets up on defense once the outcome's decided. And running up the score can certainly be deployed selectively.

Smith's right—the problem is that he missed. That turned it into something frivolous, a sideshow subject to all sorts of bullshit moral high ground-grabbing. Smith is clueless, spoiled, disorganized, a disgrace to the game because he resorted to absurdity. Why was it absurd and excessive? It failed. If he'd pulled it off, it would be the Heat who would be feeling shame, no matter what the media decided to say about it.

If anyone wants to give him hell, they just focus on what a half-assed effort that was.The angle of approach was all wrong and Smith barely got off the ground. What a dick.

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3.01.2009

Shakin' It Loose



There are going to be some major corporate changes around here in the near-future. The ads will be gone, replaced with a more reader-friendly, transparent strategy that basically just encourages you click on a text link to, say, Amazon before doing your shopping. Trust me, it will be unobtrusive and revolutionary. And we've opened our own super-goofy CAFE PRESS OPERATION, in case you want a mug or the un-named item by its very existence embodies the most general sense of "FD." Debate what it is, maybe even buy it. It's a shop, but also a conceptual piece about internet commerce and branding.

This is not an effort to exploit you, or tarnish our good name. Mostly, times are hard, and I'm looking for ways—ideally low-key or hilarious—to maximize the money I can make off of this site while writing for it close to every day.

SOME BASKETBALL: Dwyane Wade is the Monster's Ball right now, whatever that means. What he did to the Knicks last night was both inhuman and inhumane, and yet way-up-in-the-middle-of-the-air radiant. He's like those movies where vampires turn out to like cotton candy and long walks. I know I've been hard on him in the past, but with LeBron having crested for the moment (or at least our discussion of him), Kobe Kobe, and Durant out, it's time we paid some homage to D-Wade. . . with these links other people gave me!

-Ziller is awed by the forceful classiness of Wade's NBA headshot. Since when do they wear suits in these?

-Those band-aids were a major fashion statement, and now they've been. . . BAND! But seriously folks, this look was positively jarring and frivolously assertive, just the kind of thing I've always wanted from his game. I also think these fall more under the Li'l Wayne category of talisman-like adornment, rather than that old Nelly "you know, it just shows I can flip it like that."

-Finally, some wunder-stats courtesy of TZ: "Wade needs 20 more blocks to break the record for most blocks by a 6'4 or shorter player in a season." (SOURCE). Now that's fucking money.

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2.10.2008

High Water Everywhere



One graf on the Lakers, another on Miami:

I think 'twas The Recluse who said that the former Lakers—a team of Euros, misfits, uglies, and total co-dependents—was ideal for Kobe to relate to/rule over. All of them going to see 300 together summed up both Kobe's inner dork and his "activity leader" capacity. Well on that note, a big welcome to this new version. If that's the most unflattering reading you can give of Kobe's inscrutable being, Bynum and Gasol is the most dapper. You've got a dapper Continental for him to swap Spanish with, and a preps-to-pros prodigy known for his brainy interests. Supporting casts can indeed shape a superstar's image, and the more co-equal they are, the less scraggly the effects.

Dr. LIC (and, I'm assuming, Andreo) is totally fond of the Wade/Butler/Odom Heat. Come to think of it, I am too, and it might be the only time I've truly found resonance in Wade. It's beginning to stir again, not in the least because Flash has to bring his greatness into being once again. And no one, I mean no one, is fucking with Wade/Marion/Wright for half-brilliant, half-idiotic halves of basketball. I share with the commenter who suggested White Chocolate come out of hiding. Or for Ricky Davis to remember that he's Ricky Davis, not an American citizen.

Also, everyone's talking about how the Heat will cramp Marion's style, or something. Anyone remember all those times I said that Marion was the structural foundation of the Suns? How about him bringing some passing with him from that Valley, too? FALL BACK EVERYONE.

Obligatory Suns mention: I see where all the pundits are coming from with the "a break doesn't have to be all five guys." But with the Suns, and the Warriors, it usually was. So if nothing else, the whole feel of their game has been altered even if they stay running. And note to everyone: Old Kareem was still a crafty, effective player, on a level today's Shaq and Webber can only dream of.

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2.06.2008

They Aren't Who We Thought We Were Waiting For



And with that, the dream died. I heard Obama say in every way imaginable tonight that a change was gonna come, and yet he left out the part where, for the NBA, that train stopped hard. I don't know what Kerr is thinking, or particularly care. I guess this team could be tough for the playoffs, if Shaq's got one last run left in him. But this site could give a fuck less about that. Tonight, Steve Kerr trampled on the ideals that sustain us. Politics as usual. Grind-it-out big man ball, no matter how compromised the giant. One last shot as a mechanistic ploy, not an appeal to the gods, faith, and beauty's left-hand zephyr.

If the Suns were going to win a title, it should've been on their own terms. They should've thrown themselves back in it again, knowing that they'd brought something to this game, something that could beat back others. It would've taken a little luck, or a particularly torrid run, but that's what their whole style was predicated on. Now, we're back in the realm of positivism. Rotting positivism. As far as the eye can see.

I'll be burning alive in a big pile of wheat.

UPDATE: Maybe, just maybe, I can help us all cope.

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