1.26.2010

FD Guest Lecture: Ode to Quiet Stars

anderson-varejao-hair

A brief history of my basketball verse feud with author Sherman Alexie: First, Sherman wrote a poem for TrueHoop on his reluctance to see Iverson start in the All-Star Game. Then, I hit back with a pro-AI bucket of rhymes. Now, here's his response to my response. The Monta stuff hurts!

Let me sing for Saint Thomas Aquinas,
Who believed truth is found through faith
And reason. He would not have been afraid
Of the Adjusted Plus-Minus

Or any number that contradicts
What we see and what we think we know.
The numbers tell us Anderson Varejao
Is a quiet star, setting vicious picks

And destroying the offensive schemes
Of every team. I’d take that Brazilian
Maniac over a million
Vince Carters and Tracy McGradys.

The numbers tell us that Kobe is not
The most clutch at the end of games
(LeBron is Mr. Clutch’s real name,
Though you’d be okay with a Dirk jumpshot

Or just a simple pick-and-roll).
Some folks think that Monta Ellis
Is a star, but the numbers tell us
His team suffers when he’s got the ball.

Why do hoops fans believe what they see
When there’s no sense weaker than sight?
Why do hoops fans take such delight
In crossovers and dunks, those simple dreams,

But hardly ever reward those players
Like Joe Johnson or Shane Battier,
Who have complex and strange games---
Whose skills have layer upon layer?

I’m sick of it! I’m tired and pissed!
Well, no, I’m not mad. I’m just bored
By those fans who keep track of the score
But never realize what they’ve missed.

And why do we give these fans such power
When they choose All-Stars without reason?
Here’s the tragic truth: This season,
Iverson isn’t even better than Luke Ridnour.

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4.15.2009

Can He Get a Witness?

Durant Prints Blog Ad

Right before the regular season ends, FreeDarko pays cloth-y tribute to Kevin Durant's mammoth sophomore campaign . . . and the relative obscurity he's toiled in. Maybe if we move enough of these, he'll get on national television for 2009-10.

Some other store news: Based on popular demand, we've done up limited prints of a few more portraits from the book: Kevin Garnett, Lamar Odom, Ron Artest, and Joe Johnson. We're offering two special deals with these: if you buy two, you get a third free. Or, for those with an excess of wall space or love for the NBA, there's the option of all nine portrait prints for $250.

Be sure to weigh in on the latest version of the Z-graph, and tune in Thursday for another episode of our brand news joint venture podcast. I feel like a fucking octopus right about now.

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2.11.2009

Vain Gray Ovens



Real quick, and maybe better designed for the Twitter: When they first announced HORSE, I was deathly afraid this was going to turn into some racial bullshit. I mean, what gave that away harder than the "no dunks" rule, buried deep in the press release? The reason I objected to everyone's jittery Kevin Love nomination is that, like it or not, trick shots are the result of practice. That's (EDIT:) self-fulfilling gym rat shit, and it's almost unreasonable to expect anyone else in the field to pull off your ace in the hole.

Now, to draw an analogy I absolutely hate myself for, it's classical music from a score. Putting Durant, Mayo and Johnson in there, is—arghhh—improvisational. Instead of all aspiring to a set-piece one dude knows like his own hand, you'll have weird combinations of elements emerging on the spot. Okay, so maybe these three will do some preparation, but not like how the Other Horse would go down, or how they would do for the Dunk Contest (P.S. the "white" HORSE with, say, Love, Miller and Dunleavy would be the white Dunk Contest). Am I falling victim to stereotypes here myself? Maybe. Durant could very well decide he has to win this one. But given the kind of players, and personalities, these three are, you know they're not going to come with anything corny, or a shot that it's clear they've spent their whole life working on. I'm thinking lots of high-bounced, backboard use, and range. Like the Dunk Contest of consummate scorers. Now that's got a solid ring to it.

Keep those contest entries coming!

Sorry for the sloppiness in the beginning that makes it sound like I don't believe in African-American gym rats. I hope you all got my drift.

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11.12.2008

The Ziller Sessions: Edition 8



Firstly, please, look below for details on our Chicago and Seattle launch events.

I spend a lot of the day chatting with Tom Ziller about basketball. Sometimes, once of our conversations is so eventful, I decide to take it's basic structure, write a bunch of big words around it, and pretend I thought of the whole thing. This is one such post. Hence the title, and the occasional quotes from TZ.


Last night, when I decided to stop watching Facts of Life and go to bed, my thoughts immediately turned to yesterday's description of O.J. Mayo. I stand by the Joe Johnson comparison, but looking back at it, there's something a little too generic, or porous to what I wrote. It could describe anyone who "plays within the flow of the game but will step up." That could, to some degree, describe not only Mayo and Johnson, but also Kobe, Durant, and LeBron James. It's especially the addition of Bron to this list that rubs me the wrong way; the first four make it imprecise, he makes the characterization empty.

Searching for hope and direction, I was saved when my girl handed me last week's New Yorker, which had a long article on psychopaths/sociopaths (apparently one is either the PC term, or the one that makes the most clinical sense). It was then that, in reference to the above question of on-court assertiveness, I started kicking around that old cliche "killer instinct." This is, of course, a good thing. Unless you're reading an article about sociopaths, and then, the relationship between a man and his killer instinct starts to take on a more ambivalent connotation—especially if you think of "the flow of the game" and "team" as some version of polite society, and see Kobe as 1) epitome of killer instinct; 2) someone for whom it's not always a positive on the court; and 3) a person once suspected of being a low-grade sociopath.



I think the best description for what I see some of in Mayo, and defines Joe Johnson, is an especially powerful strain of cool. That takes it a step beyond "respecting the flow of the game," since there isn't that tension between their killer instinct and the flow of the game. Their insides are, for lack of a better word, flow, which is why there's no a clear disturbance when they assert themselves. Johnson doesn't struggle against circumstance, look to dominate, or even—to throw another cliche out there—"wait for the game to come to him." He's not envisioning opportunity in advance, or laying back one step, all predatory and reactive; he's right there with it, seeming just to know. There's a confidence to him, but you'd hesitate to even call it "steady." And when Johnson explodes for 20 in a quarter, it's about as naturalistic as these things get. Mayo's not quite there yet, but as Ty Keenan put it, "even when he seems to be forcing it he acts like he's supposed to."

Durant, possess no such mystical qualities. Barkley, I think, compared KD to Gervin, in terms of piling up points without anyone noticing. And it's true: Unless Durant hits five threes in a row and follows it with an especially acrobatic drive (which, with his length, he rarely resorts to), his style is impressionistic. Not understated—a 6'9" jumble of arms and legs that rises up for threes like he's floating is still an extraordinary sight. But between the lack of emphasis in his game, his build, and those limbs just seem to trail off into the rafters on every play, Durant can get pretty ethereal at times.

You can tell he's embraced this, perhaps because it suits his outward mildness, maybe since he knows he's not an intimidator. But we've all seen glimmers of unspeakable intensity from Durant, and some of his epic scoring bursts shatter all this, mistaken by some as complacency. Ziller: "Durant's eyes are always kind of frantic, like he wants to scream but bottles it up." There's a killer instinct there for sure, perhaps—remember the Jordan comparisons—one that borders on unnerving. That he gets the best of both worlds, instead of being torn about by the tension or overcome by his passion, is one of the greatest signs of his maturity. That doesn't mean, though, that he's always easy to watch, or ever feels entirely stable. More Ziller: "He makes the league uncomfortable."



In a way, Durant's closer to Kobe than he is Joe Johnson. It's not really worth going over Bryant's struggles with ego, and the ways in which his various instincts have been both incredibly productive and seriously destructive. When we talk about the mature Bryant, it's of a player who keeps himself under wraps until called upon. Certainly, he's internalized this good behavior, and Kobe does have the pure ability to play well with others without completely reforming. But that Kobe is always there, just beneath the surface, by design. Durant's at his best amidst the interplay of extremes. Kobe's an either/or headcase just waiting to steal the keys.

The missing element in all this is LeBron. This exchange says it all:

TZ: LeBron doesn't actually care. Like there isn't tension. Because he doesn't care if he's 2-for-14 or if he's scoring 55. Not that he's detached, but, well, he sort of is.
BS: I also don't think LeBron feels disappointment. He's above it all.
TZ: Exactly
BS: TRANSCENDENCE.
TZ: That's because he can never let his team down.
BS: You mean, no matter what he does, he can't let them down?
TZ: He could have his worst night ever and his team is better off in the immediate with him on the court. His worst is better than any teammate's best. That's not quantitatively correct. But spiritually, that's the case I think
BS: I think it's true. Like, when does LeBron actually hurt that team?
TZ: Never! Even Team USA, in 2004 and 2006. I don't remember him hurting the team ever.

Let me ask again: Who among us is really human? And when exactly did we decide that mattered so?



(diagram by Ziller)

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11.02.2008

All the Wheels of Destiny



First, matters of business:

-Review in today's Play. I refrained from typing that in all caps.

-I don't think we promoted David Wingo's "Macrophenomenal Anthem" enough yet. So listen!

-For whatever reason, the book is temporarily no longer available on Amazon. But there are other options! (UPDATE: Appears to be back.)

Last night was about as rad an evening of basketball as I could mortally hope for. Despite the endless vistas opened up by League Pass, I still try to stick to one game, beginning to end, and usually only one per night. That's about all my brain can stand—I am that super-sensitive, and that easily distracted. But yesterday, I managed to successfully flip back and forth between Hawks/Sixers (which I broke off an Obama volunteer shift to catch) and Heat/Bobcats. And then finish it all off with the last quarter of Bulls/Grizzlies. It was somewhere between the channel-surfing that some are capable of using League Pass for, and seeing it as a chance to create an alternative network slate.

Believe it or not—more me pinching myself than preaching to the converted of this site—I anticipated Hawks/Sixers like it was a "real" game. The Hawks are on the verge of being taken seriously, while I thought Philly's second-half self-discovery in 2007-08 was pretty crude. Brand makes them better, no doubt, but do they inspire fear, or will they be continuing to find their way, both with their new superstar and a strategic approach that needed some fine-tuning. Not to get all recap-y here, but I think Thaddeus Young might be the key to this team's coherency. One more bit of hyperbole: He's what they wish Iguodala could bring to that attack offensively, shooting well and attacking the basket with ranginess and control. Oh and also, he might also be what a lot of us still hope the Hawks got in Marvin, or at least a slimmer version. And this is a cliche for PF's, but Brand is definitely trimmer, and capable of running.

The Hawks, on their end, were a total wreck, not in the least because Smith looked lost and Johnson didn't get off immediately. Twenty-three point deficit at one point. But then—in no particular order—Josh started causing mayhem, which in turn frees him to make threes like they're not forced, and Johnson snuck in there and started hitting shot and after shot. The engine for the Hawks success is pretty simple: Smith has to get himself going, almost internally, by kindling that fire of non-methodical insanity in him that's keyed off by a steal/dunk combo, or something equally outliandish. It's like he's got his own inner crowd to appeal to. At this point, though, that's what it takes to get him in some sort of groove, albeit one that resembles a rash of bad decisions and impetutous leaps. The difference is, he's got that zone where they aren't forced, where the risks and illogical "huh?" moments are actually his natural rhythm. The problems start when you see him try and follow the kind of script a coach can read to you. Frustrating, I'm sure, but he's a player who needs to erupt in the worst way to matter.



Johnson, on the other hand, sneaks up on you. That's no surprise. But it's also striking how much the Hawks' momentum—incidentally, they ended up coming back and winning this one—is tied up in the Smith/Johnson dynamic. They feed off of each other, but it's not clear if Johnson steps in only when Smith fails utterly, or sneaks in when he see Smith getting off a little, and providing some cover (and needing counter-balance?). I dare say that, whether in success or failure, Smith is the catalyst, but that Johnson is far more reliable, coming through when Smith has either bottomed out or started to really freak out. We can debate the fine points of this, but there's some new kind of metaphysical inside-out game going here. Chaos/order, or something, in both concert and competition. The funny thing is that, by the end, you get them starting to converge. Johnson's looking more and more like someone with twelve sneaker deals, while Smith's settled down a little, deferring to JJ, and exists within some known structure.

Bobcats/Heat wasn't competitive, but represented the revenge of a few key points. Gerald Wallace was the Gerald Wallace of old, absolutely indomitable and yet throwing himself around like the lowliest role player of them all. A joy to watch. And what's more, I'm beginning to think he won't end up in LB's doghouse much. He plays hard, makes that extra effort, fights to get into the paint for buckets, and now has a fairly effective outside shot that he deploys with some prudence. That's the Right Way updated for today's modern audience. That team still has troubles, not in the least the fact that few players are as uniquely suited to this synthesis as Wallace. I also find it weird that GW defers to Richardson as the number one option. So best case scenario, the rest of the team struggles to make Brown happy, wins games with defense, and Wallace blazes away the whole time much to our heart's content.

I simply cannot take my eyes off this Heat team, and not just beacuse I picked Beasley too high in our fantasy draft (no Simmons—that was full disclosure). Dr. LIC described them as "scallywags," and while I don't quite know what that means, it captures some of the danger, strangeness, pathos, and stuck-on-a-boat-dying-of-scurvy-but-still-playing-dress-up quality of the team. I know some of you will accuse me of being a faggot for saying this, but Wade has lost all of that robotic quality I once so hated about him. It's not just that he's aggressive, almost recklessn at times—he really plays with feeling, like the whole thing's taken personally. You can tell it by the times he goes out of his way to make a statement dunk. Sometimes he's toying with the opposition, sometimes he's just managing his own emotional equilibrium in the hull of a lost cause. But if there were some kind of index that tracked—pardon my extremely un-PC nomenclature— "soul," in the "some have it, some don't" usage that's more refined and basic than evoking afros and slang—he's passed LeBron at this point. Maybe "soulfulness" is better.



I have no idea what's going on with Marion, who half the time seems intent on feigning decline, or a kind of confusion we rarely saw from him in Phoenix. Chalmers + Wade = solid, and I wish they'd euthanize Marcus Banks. Sometimes this team feels like you're watching something dramatically new, and others, it feels so bootleg, so corrosively silly, that you'd best turn away before you use lose all perspective all the game. Like the glorious 2006-07 Warriors without the undeniable fireworks.

The real draw for me, though, is Beasley. After that crappy opener, he's turning into a frightfully efficient scorer, living off a combination of mid-range jumpers and strong moves to the hoop that usually involve some added element of finesse or smooth body control. It's almost like he took the "Beastley" game of K-State and shut off the NBA switch. What's startling about him isn't how easily he gets inside, or how hard it is for defenders to anticipate whether he's going hard or soft, but just how much better his judgement seems game-by-game. Still not much more than a scorer who grabs a few boards, and Amare-like, blocks some shots just by being himself. But he's deathly effective at what he does, and I've got to say, at this point looks a hell of a lot better than Durant did this early. And Durant was the messiah. Not to sound like a one-note pony, but I could see Beasley emerge as the kid cousin of today's more versatile, advanced Stoudemire, but with even better people skills. What I wonder is just how much he's changed his game, versus his college narrative of arrogance and egotism falling away.



Which brings me to Derrick Rose, as Ritchie had already suggested I do before I got daylight savings time straightened out and got out of bed to check the computer. Point guards are the new centers, Rose is undeniably for real, and has instantly made Luol Deng whole and Tyrus Thomas not a youthful mistake we have to keep apologizing for. But what fascinates me is how, while Beasley seems to play a less "NBA" game than he did in college, perhaps out of necessity, Rose somehow made a quantum leap to seasoned, splashy pro point guard without barely thinking about it.

That's assuming a lot, but I definitely get the sense that, while Beasley is going the extra mile to show he's not a profligate or time-bomb, as witnessed from game-to-game, Rose just showed up, surveyed his surroundings, and uncorked a whole new dimension to his game. Granted, I didn't watch a ton of Memphis, but I do know that with the Bulls, from second-to-second Rose feels like a top-shelf, in-command, ultra-creative PG—as Dr. LIC hyperbolically put it, a cross between Paul and Williams. Beasley's toned down his game and affect (the threes have disappeared fast) to prove to the NBA he respected it; Rose sees the opportunity to step up and assert himself, since he's in the optimal position to join an elite class.

Rose coming to Chicago isn't quite, as Ritchie suggested, on part with Obama coming to D.C. Sorry. I also don't think that the Bulls have a coherent enough rotation to really make the most of his presence. Look at how carefully constructed New Orleans is, or how the Jazz made a leap last year just by adding Kyle Korver. And I do think that, even if we had gotten to see Oden/Durant unfold, it looks like it would have been a little underwhelming, especially as each would've been deficient at the other's primary end of the court. Rose and Beasley aren't comparable, since Rose is franchise material, whereas Beasley looks to be a force you then have to match an infrastructure to. But if this first week is any indication, two of the raddest players to watch in the league are last summer's 1/2 picks, who are tremendous to watch right now, and whose growth will decide exactly what happens with their imperfect/idiosyncratic teams. Show me a more tantalizing season-long storyline and I'll quit this business right away.

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